“You Can See Everything” has become a highly-discussed movie that viewers are eager to experience without spoilers. This led to a significant turnout at cinemas during its opening weekend, generating over $15 million in ticket sales. The documentary, focusing on Elizabeth Holmes, the founder of Theranos and a convicted fraudster, achieved the second-largest debut weekend for a non-musical documentary in domestic box office history, following only 2004’s “Fahrenheit 9/11.” Despite being shown in a limited number of 855 theaters across Canada and the U.S., the film garnered positive reviews, initially scoring 99% fresh on Rotten Tomatoes and a 4.8 rating on Letterboxd, making it the highest-rated movie on the platform.
Audiences were captivated by the documentary’s premise, which follows a film crew, co-directed by Nathan Fielder and Lance Oppenheim, as they document the lives of Elizabeth Holmes, her partner Billy Evans, and their children in the 34 days leading up to her imprisonment for fraud. Toronto film critic Teri Hart described the theatrical experience of watching “You Can See Everything,” noting audience reactions of leaning in towards the screen, gasps, applause, and laughter throughout the film. The documentary’s intense interviews and unique storytelling approach, spearheaded by Nathan Fielder’s distinctive style, contributed to its success and left viewers questioning conventional truths.
Distributed by A24, the same company behind acclaimed films like Olivia Wilde’s “The Invite” and the Anthony Bourdain biopic “Tony,” “You Can See Everything” has further solidified A24’s reputation for collaborating with visionary filmmakers. Hart emphasized the film’s ability to provoke thought and discussion among moviegoers, encouraging dialogue and contemplation post-viewing. With its unconventional narrative and thought-provoking content, “You Can See Everything” has sparked curiosity and engagement, reinforcing the value of cinematic experiences that prompt reflection and conversation among audiences.